Danny and Michael Philippou “Talk to Me” cleverly imagines a fatalistic fad that will easily sweep a generation—this horror film’s plausibility is one of the strangest things about it. The social media-feeding frenzy involves spiritual possession, made possible by holding a severed hand surrounded by ceramics inscribed with names and symbols suggesting a long line of previous owners. Australian teenagers like Mia, Jade and eventually Jade’s younger brother Riley are the latest players in a game that sees them see dead people and gives them access to their bound bodies for 90 seconds. When the spirits are allowed to “come in,” the teenagers suddenly shoot backwards in the chair, and their pupils explode into a deep black. They tremble, gasp and breathe as if they are about to die. Meanwhile his circle of friends surround and film him. What a rush, as a YouTuber likely once said about eating Tide Units. Watch online Talk to Me Myflixer full movie in HD quality. It offer to watch new released movies and TV series for free.
It’s a great tool for a modern horror story, and a franchise waiting to “Talk to Me” could easily feature a higher body count or more horror in its sequel. But the game begins here with an honest pitch aimed at the gut — this first installment is about watching someone be haunted by terrifying thoughts of grief and the harm their decisions cause to their loved ones.
There are rules for how this dance with death can be done “safely,” and in a quick montage that mixes partying with official play, we get a pretty good sense that it’s Mia, her friends And what fun for the hands can be. current Owners, Haley and Jose. But everything turns into a bad, bad moment when one of the spirits haunting young Riley turns out to be Mia’s mother, who died by suicide two years ago. Or if nothing else the soul professes to be. A panicked Mia forces this communication with the dead to continue for too long, causing Riley to fall into a coma and suffer multiple blows to the head, killing the spirit and destroying his entire body. Attempts are made to destroy it.
The second half of “Talk to Me” suffers from being another recent horror film based on the trauma of loss, but it gets a special amount of layers from Sophie Wilde’s excellent performance. It’s not just about Mia trying to keep in touch with her mother, but also not losing her new family, Jade, Riley and their protective mother Sue in the process. We’re sorry Mia has to get better, especially since she’s such a bright personality — her yellow wardrobe always pops, and she has sweet scenes with Riley, like when Phillips unveils Sia’s “Chandelier.” He was badly hurt before Karan. Car ride at night. Wilde exemplifies an angry, youthful need to balance both past suffering and a threatened future, and by trying to hack the hand’s magic, she detaches herself from reality in the process. “Talk to Me” could have been more rote without such a major undertaking, but Wilde’s tragic interpretation — his debut on the big screen — is one for the horror movie history books.
“Talk to Me” has a lot of gory fun, especially for fans of well-crafted head wounds, sound design that makes you laugh without relying on jump scares, and a tone that doesn’t sound good. Also, the film’s playful possession scenes keep getting better and better. But “Talk to Me” may owe much of its quality to whether it’s a good pitch to follow — it’s hard to see, in its gripping opening scene of horror, an unrelated, Herring rest. is not followed in all parts of Filmed as a different red, a shot from a crowded party. The film’s overall restraint is admirable, and many moments are best felt when the camera is on someone’s terrified face so that we can develop a sense of dread about which vampire they’re looking at. But “Talk To Me” runs the risk of holding back too much despite the promise of its grand concept.
Whether this hand of fate deals us another round or not, “Talk to Me” is a brilliant and confident directorial debut from Phillips, whose penchant for hyper-active YouTube battles and prank videos is part of the film. Emotional distress is mostly obvious. With such a playful send-up on a possession story, Phillips has successfully moved into feature filmmaking, but we’ll need a little more genre ingenuity to keep talking about him.