Edgar Wright is pop culture’s ultimate omnivore. The British director is one of the most vocal film and music fans of his generation and takes every opportunity to promote his favorite artists in interviews and mention them in his films. He rarely discriminates based on genre, communicating his deference for high-profile craftsmanship movies and standard blockbuster films the same. Now you can watch online latest and old your favroite movies on Myflixer.to streaming platform.
His passion for everything engaging is reflected in Wright’s mixed filmography, in which he has acted in everything from zombie comedies to video game-impacted breakup vengeance gas to vehicle pursue musicals, all without missing a second. That doesn’t mean he doesn’t have a distinctive style, though, as his infamously playful cinematography and signature sense of humor are evident in all of his films. But rather than confining himself to one genre—or even a few genres—Wright is determined to apply his flair for filmmaking to any area of cinematic he finds remotely interesting.
The sheer scope of Wright’s film knowledge can be overwhelming: the man once had the courage to list his top 1,000 films without any irony. It doesn’t matter how young you are, it’s almost certainly too late to dig into the film Wright has enjoyed so far.
Luckily, Wright has compiled some short lists that provide a glimpse into his passion for cinema. On the one hand, there is “Sight & Sound”: In the magazine’s “Best Film of All Time” survey, which takes place every ten years, the participants are only allowed to choose ten of their favorite films.
List of Wright’s 15 Favorite Movies of All Time
“Blow Out”
In one of the most acclaimed political thrillers of all time, Brian De Palma’s “Blow Out” stars John Travolta as a sound effects technician who accidentally picks up evidence of an attempted murder while working on a slasher film.
“Brazil”
In Terry Gillem’s tragic, funny “Brazil,” Jonathan Pryce plays a humble office worker in a dystopian world who becomes a public enemy while trying to find a woman who appears in his dreams.
“The Discreet Charm of the Bourgeoisie”
An unrealistic and brutal satire, Luis Buñuel’s The Discreet Charm of the Bourgeoisie focuses on multiple dinner parties hosted by six upper-class guys, each constantly interrupted by a variety of obstacles and obstacles.
“Eyes Without a Face”
In Georges Franju’s legendary horror film, Pierre Brasseur plays a mad doctor who, following a car accident, undergoes radical surgery to fix his daughter Louise’s face.
“Head”
Head, a spin-off and finale to the band’s popular NBC series, stars the Monkees’ Davy Jones, Peter Tork, Mickey Dolenz and Michael Nesmith on a psychedelic journey through the stream of consciousness.
“Singin’ In the Rain”
Edgar Wright’s love of film can only be matched by his love of music. The director is known for his impeccable needlework, so it’s no surprise that he’s taken a liking to one of Hollywood’s most celebrated musicals.
“The Earrings of Madame De…”
Max Ophüls’ historical French romance has been a staple on many top directors’ Sight & Sound lists, and Wright was no exception.
“Don’t Look Now”
Wright has recently taken an interest in horror films, directing Last Night in Soho and developing a remake of Stephen King’s The Running Man. In his Sight & Sound poll, he chose Nicolas Roeg’s Don’t Look Now as the horror film that shaped him.
“Taxi Driver”
In the same way as other extraordinary producers of his time, Edgar Wright has a weakness for Martin Scorsese’s Taxi Driver.
“Psycho”
Edgar Wright rivals anyone when it comes to obscure film knowledge. In any case, some of the time the works of art just can’t be bested. Wright recognized this when he added Alfred Hitchcock’s “Psycho” to his Sight & Sound ballot.
“An American Werewolf in London”
While many of Wright’s Sight & Sound picks were undeniable classics, he went wild by putting John Landis’ horror comedy An American Werewolf in London on his ballot.
“The Good, the Bad, and the Ugly”
Wright’s first feature film as a director was the little-seen spaghetti western spoof Fistful of Fingers in 1995. So it’s fitting that his Sight & Sound catalog pays tribute to a genre he once criticized.
“2001: A Space Odyssey”
Wright has spent his entire career making genre films that are as immaculately crafted as those you’d find at your local arthouse. It seems only fitting that he credited “2001” – one of the first genre films to be considered fine art – on his Sight & Sound ballot.
“Raising Arizona”
Due to changing box office trends and Hollywood’s increasing focus on television, comedy movies haven’t fared particularly well lately. Wright is one of the few directors who still manage to make relatively big comedies, and he has great respect for others who do.